Katharine Simblet

Southend-on-Sea, United Kingdom

Actor, Model, Musician, Dancer

www.spotlight.com/interactive/cv/1615-6757-7408

Skills include: Physical Theatre, Story Telling, Drama Workshop Leader, Improvisation, Mime, Clown, Comedy, Commedia Dell' Arte, Classical Singing, Musical Theatre Singing, Mask, Outdoor Performances, Street Theatre, Narration, Glow Poi, Puppetry, Story Telling, Trapeze, Children’s Theatre, Theatre In Education, Stage Combat.

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Physical Details

Height:
165 cm / 5ft 5in
Hair color:
Blonde
Weight:
60 kg / 132 lbs
Hair length:
Medium
Ethnicity:
White / Caucasian
Hair type:
Straight
Skin color:
White
Dress Size:
8 - 10
Eye color:
Green

Experience

2011
  • East 15 : BA Physical Theatre, Southend-On-Sea, UK

Acting

Acting experience:
  Previous paid speaking roles
Languages spoken
  • English
Accents spoken
  • Australian
  • UK English
  • UK Posh
Year: 2011
Role: Little Red Riding Hood
Production: Little Red Riding Hood
Director: Ned de Beauchamp
Company: Unnamed Theatre Productions

Year: 2011
Role: Bengalski/ Bosoi
Production: The Master And Margarita
Director: Mark Bell
Company: East 15 Acting School


Year: 2011
Role: The Editor
Production: Hole In The Roof
Director: James Sutherland
Company: 200 Toes Theatre

Year: 2010
Role: Emily
Production: Be Strong Japan
Director: James Sutherland
Company: East 15 Acting School

Year: 2010
Role: Pantelone
Production: Isabella's Fortune
Director: Andre Pink
Company: East 15 Acting School

Year 2010
Role: Angelika Ui
Production: The Fourth Reich
Director: Danielle Crosher
Company: Unnamed Theatre Productions

Trained at East 15 (Physical Theatre):
http://east15.ac.uk/alumni-2012-ba-PhysicalTheatre.asp


Other Experience
2011- Theatre Workshop Leader

Modeling

Website: www.promojobspro.com/uk/view.php?uid=196248

Modeling experience:
  Part-time model - paid commercial work
Hired for many promotional events (exhibitions, road shows), hired for photographer studio shoots. Art photography project (ImageRed profit share) and photographed for a bridal catalogue.

Music

Vocal ability:
  Classically trained
Like to join a band:
  Yes
Vocal range:
  Soprano
Singing styles
  • Pop
  • Rock
  • Classical
  • Opera
Favorite genres
  • Pop
  • Rock
  • Jazz
  • Classical
Influences: Regina SpektorMaria Callas

Musical theatre: (Soprano) Solo and choral performances in theatre performance Little Red Riding Hood, 2011 directed by Ned de Beauchamp

Classical singing duet: (Soprano) Russalka, Song To The Moon in theatre performance The Master & Margarita 2011, directed by Mark Bell. Arrangements by Magnus Reinvick.

Choral singing: (soprano) Weep Not For Me O Mother, in theatre performance The Master & Margarita 2011, directed by Mark Bell. Arrangements by Magnus Reinvick.

Choral singing: (Alto) Arise O Russia in theatre performance The Master & Margarita 2011, directed by Mark Bell. Arrangements by Magnus Reinvick.

Chroal Singing: (Lead Soprana) Slava in theatre performance The Master & Margarita 2011, directed by Mark Bell. Arrangements by Magnus Reinvick.

Solo Singing: Cuvam Once (tradition Serbian folk song) in theatre performance Hole In The Roof 2011, directed by James Sutherland.

Choral Singing: Tamo Daleko (traditional Serbian folk song) in theatre performance Hole In The Roof 2011, directed by James Sutherland.

Operatic Singing Duet: (Soprano) Duetto buffo di due gatti, Gioachino Rossini in theatre performance Be Strong Japan, 2011, directed by James Sutherland

Operatic Singing Choral (soprano): Patria_Oppressa, Giuseppe Verdi in theatre performance Be Strong Japan, 2011, directed by James Sutherland.

Musical Theatre: Mein Herr (originally performed by Liza Minnelli from the show Cabaret) 2011. Cabaret evening, London.

Rock & Pop Singing: You Oughta Know (originally performed by Alanis Morrissette) 2011, Rock & Pop Festival.

Ballad: All By Myself (originally performed by Celine Dion) 2010, winner of Young Talent Competition.

Some experience working with DJ's and MC's in Birmingham on a non-professional level experimenting with drum&base/ hiphop vocals.

Dancing

The Dance Of The Dead performed in theatre performance The Master & Margarita, 2011, directed by Mark Bell.

Contact Improvisation training with Steffany George. Contact Improvisation is a dance form in which the point of contact with another dancer provides the starting point for a movement exploration. It is most frequently performed as a duet, but can be danced by more people. There can be music or it can happen in silence. It is about sharing weight, rolling, suspending, falling, passive and active, energy and awareness.

Composition training with Steffany George. Creating a movement score from the basis of contact improvisation or solo exploration of movement.

Other movement training: Suzuki, Grotowski, Corporeal Mime, Glow Poi, (basic) African Dance, (basic) trapeze, (basic) Acrobatics/ Acrobalance, (basic) HipHop/ Street Dance, (basic) Contemporary Dance.

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