A film producer oversees and delivers a film project to the film studio or other financing entity

A film editor is a person who practices film editing by assembling the footage. However, the job of an editor isn’t simply to mechanically put pieces of a film together, cut off film slates, or edit dialogue scenes. A film editor must creatively work with the layers of images, story, dialogue, music, pacing, as well as the actors' performances to effectively "re-imagine" and even rewrite the film to craft a cohesive whole. Editors usually play a dynamic role in the making of a film.

A camera operator or cameraman is a professional operator of a film or video camera

An art director, in the hierarchical structure of a film art department, works directly below the production designer, in collaboration with the set decorator, and above the set designers. A large part of their duties include the administrative aspects of the art department.

,Production designers have one of the key creative roles in the creation of motion pictures and television

No education is required to become a professional screenwriter but good storytelling abilities are required.

The title is generally equivalent to director of photography (DP), used to designate a chief over the camera and lighting crews working on a film, responsible for achieving artistic and technical decisions related to the image

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The Special Effects Supervisor instructs the Special effects crew on how to design moving set elements and props that will safely break, explode, burn, collapse and implode without destroying the film set. S/he is also responsible for reproducing weather conditions and other on-camera magic.

The Production Sound Mixer is head of the sound department on set, responsible for recording all sound during filming. This involves the choice and deployment of microphones, operation of a sound recording device, and sometimes the mixing of audio signals in real time.

The Visual Effects Producer works with the Visual Effects Supervisor to break down the script into storyboards, and advises the Director as to how s/he should approach the scenes. Together they determine which sequences are to be shot as live action elements, which would work well in miniature, and which (if any) should be computer generated.

The Sound Designer, or Supervising Sound Editor, is in charge of the post-production sound of a movie. Sometimes this may involve great creative license, and other times it may simply mean working with the Director and Editor to balance the sound to their liking.